Categories
Psychogeography

Observational Writing

For this project, there were two main focuses. The writing and the physical response to the writing. Observational Writing was the first section of the rotation. For this part, I had to chose an area that I could write in great detail about.

I decided that the area that i was going to write about Oxford Street & Swansea Market. Instead of going to a specific location, I documented my journey.

At first, it was quite challenging because I couldn’t get my head around what should I be noting down. Theres no right or wrong answer on how I should approach this. As time was passing got more comfortable with writing in public.

After the hour out there, I had to come back and refine my text and get all the details down. Anthony gave the text a read over and said to get all the information down because it was still fresh in my head and trying and make my text read like a conversation.

Physical Response

The second half to this project, was to create a response to your writing. Had a talk with Anthony and he suggested that i should combine my text with some images. So from that I decided that my images were going to be continuous line drawing because I tend to gravitate towards that type of style because of how quick it is to get something on the page.

Photography Workshop

For this workshop, I had to take a digital image and convert that into a positive or negative photogram.

I did a series of photograms that helped develop the physical response a bit more. The whole experience was a bit of a trial and error. Trying to get into the rhythm of using the dark room again. For this workshop, I got explore different techniques that helped build my response.

Main influence
These two artists were my main influences for my work. The talk that I had with Anthony he mentioned to look into Olivier Kugler’s work. For Jim Goldberg, I wanted to incorporate his style of text and the way he lays it out to complement the image.
Categories
On Your Marks

Drawing Machines

The second rotation was Shellie’s group. Were we had to create a drawing machine to create multiply work to create on top of the original lines. I chose to create three main pieces of work using one huge piece of line work. The first piece was inspired by Cy Twombly’s marking making and selected colour palette. The second piece was influenced by Zio Ziegler and how his work features bold lines that stand out from the picture underneath. Final image was done using Harold Hollingsworth as inspiration because i wanted to incorporate the rich colours and graphic sense that his images have.

Embroidery & Sewing

To further our work, Shellie’s group had a workshop with Terrie. That was a introduction to sewing machines and embroidery. I chose to recreate my Harold Hollingsworth inspired piece.

The purpose of this image is to showcase the result of the Embroidery & Sewing Workshop.
Categories
On Your Marks

Performance Art

The final stage of the rotation was Jason & Becky group. Which was an introduction to Performance Art. The initial stages, I had to do a portrait of the person opposite of me. Throughout I had to do various mark making, some would limit the control I had with my dominant hand.

After the portraits, our group did a collaborative piece were we had to make a mark were our hands could reach. The line through the middle is my mark.

All through out the day, we were discussing about ownership. Who would take ownership and (referencing back to the portraits) how someone would see it as “one drawing”. But we would see as three drawings because we have context behind the piece.

Our Performance Piece

The brief for our performance was to produce a drawing with the extent of restricting our bodies & focusing on the process.

As a team, we decided that idea three would be the best process because we had thought that we could produce multiply variations of the same drawing.

Categories
Uncategorized

Political Photomontage

The workshop was to showcase a more political take on collages and photomontages. Influenced by the art movement DADA. DADA was formed during the first World War, a response to the horrors of the war.

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